So, my experiences throughout this project have been varied. Some have been very successful and insightful, whilst others seem almost futile. One of the processes that has proved somewhat useful is the process of mixing according to the advice of seasoned engineers. Mixing directly to the instructions of a video has proven to be very stressful for me, because I can hear the changes I would like to make but have had to restrain to be able to fully appreciate the engineers approach. However, in doing this I have been able to discover other ways of using equipment. By thoroughly watching the actions of people like Pensado, I have been able to analytically examine and learn exactly what he is doing and the way he applies certain technology. Processes like this have also been useful because they have inspired me to research more actively into mentioned characteristics and behaviours of devices. One of the restrictions I have faced in this process is plugin translation. Not having the same range of plugins and outboard that these guys do, I have been unable to explore the equipment they have used. Although this has helped me to explore my preferred plugins with more aggression and forced me to find the best alternative within the plugins that I do have, allowing me to gain a more expansive knowledge of my Plugin collection.
The most useful and enjoyable process as of yet has been the process of shadowing. This was most engaging for me because I was able to immerse myself in the process. Also, seeing and using studios that are way nicer than my own has inspired me and given me an idea of the things I can be aiming for within the field. This process also allowed me to explore newness and work outside of my comfort zone. I found the atmosphere of professional studio work to contain a fair amount of pressure. The main difference between my own sessions and these, lay in the fact that were people were expecting efficiency and for things to be successful first time. In a no pressure environment it is way easier to sit and fiddle with something until it is right, which often results in things working quickly. But when time pressure is applied and you are being payed, it is expected that you are able to achieve success instantly, which I have found for me often results in the polar opposite effect.
To improve in this area, I need to apply pressure to my mixing situations to become used to it. Hopefully, this is a case of repetition equals improvement.
Jordan Vaughan: Creative Sound Design 